Dec 16, In den Quatre Motets sur des Thèmes Grégoriens op. 10 für Chor a cappella ( ) verbindet Maurice Duruflé die Melodien gregorianischer. Four Motets on a Gregorian theme for unaccompanied mixed chorus, by Maurice Duruflé. (DF) en-GB. Check out Duruflé: Quatre Motets, Op – Tota pulchra es by Cambridge and George Guest Choir Of St. John’s College on Amazon Music. Stream ad-free or.
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Let faith make good the insufficiency of our senses. Streams Videos All Posts. Tota pulchra es, Maria, et macula originalis non est in te.
This great sacrament of worship all devoutly we behold, newer rites are overtaking written covenants of old. Ubi caritas et amor flows freely and syllabically in a meditative fashion, while Tota pulchra es for high voices is lighter and more sprightly, yet soft and feminine. Exultemus et ddurufle ipso iucundemur. Thou art Peter, and upon this rock I will build my church. The site is also available in several languages.
Motets (4) on Gregorian Themes, for chorus, Op.10
The Complete Argo Recordings. We praise him and are joyful. There are no accidentals notes outside the key in which it is writtenand very little harmonic tension. Song for Athene; Etc.
Hyperion offers both CDs, and downloads in a number of formats. March Total duration: One of a set of four motets on Gregorian themes composed inthis concise and direct work, lasting barely one minute, is based on the well-known plainsong antiphon for the feast of St Peter which has provided the source material for many composers over the centuries and which contains the seminal Petrine passage from the Gospel: Vasari SingersJeremy Backhouse conductor. Praestet fides supplementum sensum defectui.
Et antiquum documentum novu cedat ritui. Let us rejoice and be glad in that love itself.
Corydon SingersMatthew Best conductor. Complete Organ Works; Motets; Requiem. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. The opening melody serves as a kind of refrain, coming back twice. Tota pulchra es Maria W.
Et ex corde diligamus nos sincero. Tota pulchra es, Maria. Where charity and love are, God is there. Ubi caritas et amor, Deus ibi est. Genitori, genitoque laus et jubilatio, Salus, honor, virtus quoque sit et benedictio, Procedenti ab utroque compar sit laudatio. Antiphon for Maundy Thursday; No 2: Messe “Cum Jubilo” Op.
Vasari SingersJeremy Backhouse conductor. Exsultemus et in ipso iucundemur.
Thou art all beauty, Mary, and there is no blemish of original sin in thee. Timeamus et amemus Deum vivum. Drinking Hanging Out In Love. Congregavit nos in unum Christi amor.
AllMusic Featured Composition Noteworthy. The melody is imitated and varied mmotets the tenors, while the other voices are freely composed, with an effect similar to cantus firmus settings of chants from the Renaissance period.
Duruflé: Quatre Motets sur des Thèmes Grégoriens op. 10
Antiphon on the Feast of the Immaculate Conception; No 3: Antiphon for Maundy Thursday; No 2: This album recollects and celebrates some of the choral music heard on royal occasions during the lifetime of HM Elizabeth II. Romantic Evening Sex All Themes. The pace is rather faster than in the “Ubi caritas,” and leads motts the climactic third motet. Vestimentum tuum candidum quasi nix, et facies tua sicut sol.
Thy garments are as white as snow, and thy face is as the sun.